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She makes various attempts at thinking it out. She places her pretty hands upon her prettier brows, under the mistaken impression common to most people that this attitude is conducive to the solution of mysteries; but with no result. Things will not arrange themselves. "Everything has its romantic side," says Geoffrey, "even an Irish member, I dare say. And when you do induce Nolly to favor you with his last joke, you will see that it is positively bristling with romance." Perhaps he is afraid for her. Perhaps it is a gentle hint to her that the truth will be best. Whatever it may be, Mona understands him not at all. His mother glances up sharply..

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Her eyes are large and blue, with a shade of green in them; her lips are soft and mobile; her whole expression is debonnaire, yet full of tenderness. She is brightness itself; each inward thought, be it of grief or gladness, makes itself outwardly known in the constant changes of her face. Her hair is cut above her forehead, and is quite golden, yet perhaps it is a degree darker than the ordinary hair we hear described as yellow. To me, to think of Dorothy Darling's head is always to remind myself of that line in Milton's "Comus," where he speaks of "And do you know," she says, with charming naivete, not looking at him, but biting a blade of grass in a distractingly pretty and somewhat pensive fashion, "do you know her neck and arms are not a patch on mine?" "It is for my sake; but it will break my heart." "Look here," says Geoffrey, with decision, "I will have no 'buts,' and I prefer taking my answer from your eyes than from your lips. They are kinder. You are going to marry me, you know, and that is all about it. I shall marry you, whether you like it or not, so you may as well give in with a good grace. And I'll take you to see Rome and all the places we have been talking about, and we shall have a real good old time. Why don't you look up and speak to me, Mona?".